{"id":1857,"date":"2014-07-20T19:01:57","date_gmt":"2014-07-21T00:01:57","guid":{"rendered":"http:\/\/www.cgmodelers.com\/blog\/?p=1857"},"modified":"2017-02-27T01:41:57","modified_gmt":"2017-02-27T01:41:57","slug":"miyazaki-making-of-the-wind-rises-extractos","status":"publish","type":"post","link":"https:\/\/cocoalopez.com\/blog\/?p=1857","title":{"rendered":"Miyazaki \/ Making of The Wind Rises (extractos)"},"content":{"rendered":"<p>Interesantes extractos del making of para The wind rises (Kaze Tachinu). Sobre todo la parte d\u00f3nde Miyazaki expresa sus sentimientos sobre el arte de hacer animaci\u00f3n y los hobbies as\u00ed como su visi\u00f3n sobre el futuro del estudio. Algo muy interesante pues en el resto de los estudios en Jap\u00f3n saben muy bien que el nivel que goza Ghibli con Miyazaki-san vivo, desaparecer\u00e1 una vez que \u00e9ste muera.<\/p>\n<h4>Sumario de Kaze Tachinu por Toshio Suzuki:<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/CrsVqnpfb2Q?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>Miyazaki elige al director de Evangeli\u00f3n (Hideaki Anno) para la voz principal &#8230;&#8221;C\u00f3mo decirle que no a Miya-san&#8221;&#8230;<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/K7sa_8dicGQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>Miyazaki explic\u00e1ndole a un animador la escena final<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/9ypxYC5C8rA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>Miyazaki explicando descomposici\u00f3n de movimiento y significado del gaze y la reverencia en la \u00e9poca del film<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/PNKQ-ZTrO1Q?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>Miyazaki explicando por qu\u00e9 Jiji no pronuncia ninguna palabra al final<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/sDR-kDF0OlA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>Miyazaki explica por qu\u00e9 desea terminar \u00e9sta pel\u00edcula y se cuestiona si realmente las pel\u00edculas que hacemos valen la pena.<\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/e_PJ0KiTydo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<h4>El pasado y futuro de Ghibli, &#8230;<em>&#8220;Est\u00e1s preocupado por el futuro de Ghibli&#8221;&#8230; &#8220;El futuro est\u00e1 claro, todo desaparecer\u00e1, puedo verlo desde ahora, si es algo inevitable, entonces por qu\u00e9 preocuparse&#8221;&#8230;<\/em><\/h4>\n<p><iframe loading=\"lazy\" class=\"youtube-player\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/zxImST1WIlo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interesantes extractos del making of para The wind rises (Kaze Tachinu). Sobre todo la parte d\u00f3nde Miyazaki expresa sus sentimientos sobre el arte de hacer animaci\u00f3n y los hobbies as\u00ed como su visi\u00f3n sobre el futuro del estudio. Algo muy interesante pues en el resto de los estudios en Jap\u00f3n saben muy bien que el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2357,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,34],"tags":[52,103,105,346,434,494,504,518,519,620,686,805,874,987],"class_list":["post-1857","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-la-vida-en-tokyo","category-world-short-films","tag-2d","tag-animation","tag-animators","tag-entrevista","tag-ghibli","tag-interview","tag-japan","tag-kaze","tag-kaze-tachinu","tag-miyazaki","tag-online","tag-rises","tag-spoilers","tag-wind","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cocoalopez.com\/blog\/wp-content\/uploads\/2014\/07\/sddefault.jpg?fit=640%2C480&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9XJix-tX","jetpack-related-posts":[{"id":1675,"url":"https:\/\/cocoalopez.com\/blog\/?p=1675","url_meta":{"origin":1857,"position":0},"title":"[Originales] Layout en Ghibli","author":"cgmodeler","date":"February 24, 2013","format":false,"excerpt":"Despu\u00e9s de un tiempo de esperar material original por parte de los sitios nacionales que se dedican a replicar el contenido publicado por los grandes estudios y ante la falta de informaci\u00f3n exclusiva. 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